![]() ![]() More uniquely, the I/O26 also includes dedicated turntable inputs and insert points on every analogue input. All eight analogue inputs feature switchable phantom power, and two headphone outputs and MIDI In and Out are also featured. Sample rates of up to 192kHz are supported, all at 24-bit. In summary, the I/O26 offers 26 inputs (eight analogue, 16 ADAT and two via S/PDIF) and eight simultaneous outputs (all analogue, while the S/PDIF output can be assigned to replicate any of the analogue output pairs). The I/O2 and I/O14 (described briefly in the 'Keeping It In The Family' box) are the baby brothers to the I/O26 reviewed here and, while the amount of connectivity provided increases through the range, the units obviously share some common technology and design elements. Alesis have recently added to this problem with the I/O series of Firewire-based audio/MIDI interfaces. The difficult thing now is deciding which one of the many products, each with their own combination of features, best suits your needs and budget. Alesis know a thing or two about digital recording, but what can they bring to the busy world of audio interfaces? Quite a lot, as it happens.įor recording musicians setting up a computer-based studio, the problem of finding a high-quality audio interface is pretty much a thing of the past. ![]()
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